Finally finished my edition of 16 books, 11 or which will be sent of round the US and UK later this year as part of the Pulp Atlas Exhibition. Each book in the series is entitled ‘Littoral Drift’ and features two hand embossed paper slips of Progeo map paper, housed in a card sleeve. Once again the work explores the idea of erosion/accretion, this time picking out Special Areas of Conservation or Sites of Special Scientific Interest between two points on the coast.
The drawings I posted up a few days back that use sandpaper and other abrasives to explore map making, walking and erosion all have counterparts that look at the opposite of erosion – accretion.
The Suffolk coast is influenced by a process called long shore drift (or littoral drift), a process which basically moves sediments at an angle along the coastline from one location to another. One of the reasons that Covehithe has been assigned a status of No Active Intervention (meaning no attempt will be made to preserve the coastline) is that the movement of sediment to the south is considered beneficial to the protection of more ‘important’ settlements to the south. Ever noticed all the groynes at Felixstowe? Well they are there to help protect the beach, and to prevent the loss of sediment. Now notice the lack of groynes at Covehithe.
Anyhow, this counterpart embossing work is my way of once again manipulating materials to mirror or represent natural processes.
I’ve been busy working this week on an edition of 16 book works for the PULP ATLAS exhibition this coming autumn. Each book features two slips of paper, one embossed, the other imprinted with two map-type images of sites on the Suffolk coastline. Combined, the two slips represent the process of long shore drift, where sediment is transported along the coast in a southerly direction. The map that is imprinted relates to the area from which sediment is being lost, and the map that is embossed relates to the area where the sediment ends up. Erosion and accretion. Simple idea really, but I have enjoyed the process of making lines by manipulating paper rather than by marking them out by other methods.
I have also been working on a set of stencils for some larger scale embossed pieces. These will form part of the practice element of my MRes thesis. These have been a real labour of love, hand cramps, cut fingers the works. Finally finished them though, now the search for suitable paper begins…